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[This afternoon at the Komische Oper zu Berlin, the American baritone Kevin Deas sang this captivating little song Aaron Copland adapted as one of his "Old American Songs", and when I got home I emailed him this addendum:]
Dear Mr. Deas,
as Berlin correspondent for www.MusicalAmerica.com I attended - and enjoyed - your concert this afternoon at [...]

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[From my hard disk I've excavated some Stockhauseniana I put together in 1998, which has definitely not lost its relevance to this inordinately intricate personality:]
Although Karlheinz Stockhausen at 70 has probably become globally the most famous living German composer (his only rival: Hans Werner Henze), comparatively few people actually know his music.  During the early [...]

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This afternoon I actually started a bloggery, skimming the cream off the many times over the past half-century when Karlheinz Stockhausen’s path and mine crossed, but eventually I gave up on it for what I’d originally thought of as a casual stroll down Memory Lane unexpectedly touched off such an avalanche of recollections, from locations [...]

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Howard Pollack’s 690-page biography Aaron Copland: The Life and Work of an Uncommon Man documents in some detail (the index cites me seven times) one of my life’s most enriching friendships with that almost saintly man, which began soon after I emerged from the University of Texas at 19 as a brand-new Bachelor Musicae and [...]

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Young Mailer’s first novel The Naked and the Dead turned him into an overnight celebrity but it appeared early enough for its publisher to have serious problems with a pungent monosyllable that peppered the manuscript.  Mailer had written naturalistically about the robust young Americans in uniform he’d known during World War II, and for him [...]

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From an unimpeachable, totally reliable source I have this latest shaming tidbit of barbarous stateside yahoo nitwittery towards distinguished visiting foreign artists in the fatuous name of “security”, a sacrosanct word which for the incumbent criminal administration apparently excuses no matter what indignities.
The Berlin Philharmonic, billed by Carnegie Hall for four concerts with its conductor [...]

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As a reputable musical journalist of several decades’ high-level experience, I almost invariably avoid even mentioning sources I feel I must, for whatever reason, leave anonymous, but I feel strongly that this present instance justifies such an exception.
On October 8th, a New York Times article under James R. Oestreich’s byline led off with this:
“Opening the [...]

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BERLIN.  - “Denk ich an Deutschland in der Nacht,” wrote Heinrich Heine (1797-1856), one of Germany’s greatest poets and most famous Jews, “Dann bin ich um den Schlaf gebracht” - “If I think about Germany during the night, it robs me of my sleep.”  A partially sleepless night preceded the writing of this review, for [...]

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